Brandon Duhaime

LinkedIn: Brandon Duhaime

I chose to pursue graphic design for its ability to bridge disciplines. Getting to use a range of elements such as writing, photography, fine art and motion is the most rewarding aspect of any project. I believe creativity is the result of remaining a lifelong learner, so after graduation, my primary career goal is to always remain curious.

 

The Davines brand identity campaign was driven by a custom typeface wordmark, loose grid, and organic textures. The campaign served to modernize Davines’ identity while preserving their roots in supporting human and natural causes.

The Caran d’Ache Artist’s Charcoal packaging consisted of analog typography that I formed through various hardnesses of crushed charcoal. The packaging uses the charcoal letterforms as a visual reference for each charcoal type.

My teammate Aiden Savetman and I developed the Leap app for college students looking for a way to track their finances and develop their financial literacy. We used enticing data visualization, motion graphics, and community networking to motivate our users.

My teammates Daniel DesCamp, Amanda Cole and I created an annual report for the Swiss climbing company, Mammut. We decided on using layouts, photography, colors and data visualization that reflected key elements of mountaineering and climbing.

This publication tells the story of the infamous Project Blue Book, a decade-long study of alien sightings unclassified by the U.S. government. Its mysterious photographic elements and uncanny reading experience mimicked the confusion and distortion of information that took place during the study.