An array of dots and dashes of color that spell CVAD in Morse Code
Wendy Red Star in her studio facing forward and smiling.
Wendy Red Star, M.F.A., visual artist, researcher and educator. Photo: John D. and Catherine T. MacArthur Foundation.

Wendy Red Star brings humor, history and Indigenous perspective to UNT lecture

The UNT College of Visual Arts and Design Galleries will host a free public lecture by Wendy Red Star on April 24 as part of the Patsy R. and Raymond D. Nasher Lecture Series.
 
Lecture: Creative Practice and Artwork
April 24, 2026 | Noon
Art Building, Room 223
Free and open to the public
 
The lecture offers students, artists, designers and the broader community a rare opportunity to hear directly from one of the most influential voices in contemporary Indigenous art — an artist whose work continues to challenge, expand and redefine the narratives shaping art and culture today.

About Wendy Red Star

Red Star, an Apsáalooke visual artist, researcher, author and educator, is known for a multidisciplinary practice grounded in the histories, archives and lived knowledge of the Apsáalooke Nation. Apsáalooke (pronounced opp-SAH-loh-kay) is often translated as “Crow,” a name that originated from a historical mistranslation by European explorers and traders. Her work bridges rigorous research with contemporary visual culture, using humor as a deliberate, subversive tool to engage audiences with complex and often difficult historical truths. 
 
Born in Billings, Montana, and raised in the district of Pryor, Montana, Red Star draws from family histories, archival materials and cultural memory. Her process emphasizes close looking, listening and assembling — allowing connections between lineage, record and lived experience to emerge organically over time. Rather than correcting historical narratives, her work recontextualizes them, expanding how Indigenous histories are seen, understood and experienced.
 
Now based in Portland, Oregon, Red Star has gained international recognition for reshaping how Native American representation is encountered — moving beyond static museum frameworks into dynamic, living contexts. In 2024, she was named a recipient of the prestigious MacArthur Fellowship, often referred to as the “Genius Grant,” which includes an unrestricted award of $800,000 supporting continued innovation in her field.
 
Her honors also include the Louis Comfort Tiffany Award, Smithsonian Artist Research Fellowship, Bonnie Bronson Fellowship and the Infinity Award in Contemporary Photography and New Media. In 2025, she received an honorary doctorate from Montana State University.
 
Red Star earned a B.F.A. from Montana State University, Bozeman, and an M.F.A. in sculpture from the University of California, Los Angeles. Her work is held in more than 80 public collections, including the Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; Whitney Museum of American Art; the Guggenheim Museum, New York; Los Angeles County Museum of Art; Amon Carter Museum of American Art, Fort Worth; Denver Art Museum; Baltimore Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Nelson-Atkins Museum of Art, Kansas City; and the British Museum, London, among many others.